She first started working for Henson in 1970 and has played a vital creative role she collaborated with Henson on the Swedish Chef and is responsible for crafting Miss Piggy, one of the most well-loved and iconic Muppets of all time. It's an important partnership-where Sunae brings the conservation expertise, Bonnie brings an intimate knowledge of Henson's creations. Grosse looks onīonnie and Sunae have been working together to get all of the puppets that are part of the donation into tip-top shape. They discuss how to arrange his arms and try a variety of positions before pinning his hands in place so that suddenly, Grover is alive and inviting us into his fun, kooky world.īonnie and Sunae discuss how to proceed with "old Grover" as J.P. Bonnie re-stuffs the limp form she calls "bag o'Grover," and, when she's finished with him, she and Sunae move him to a new base. Grover is the last puppet Bonnie is working on, along with Sunae Park Evans, the National Museum of American History's senior costume conservator. He has greenish-brown fur, instead of the familiar blue we know today, and, once his eyes are secured, Bonnie gets to work bringing him back to life. Bonnie, the executive director of The Jim Henson Legacy, affectionately refers to the puppet as "old Grover," because he's the original puppet from 1967. When I walk into the textiles conservation lab on Wednesday afternoon, Bonnie Erickson is standing over the form of the Muppet Grover, who's laid out on the table getting his eyes glued back on. ![]() ![]() Elmo and Fozzie Bear wait in the conservation lab before their debut at the donation ceremony
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